jueves, 28 de mayo de 2015

Caged Bird

A free bird leaps
on the back of the wind   
and floats downstream   
till the current ends
and dips his wing
in the orange sun rays
and dares to claim the sky.

But a bird that stalks
down his narrow cage
can seldom see through
his bars of rage
his wings are clipped and   
his feet are tied
so he opens his throat to sing.

The caged bird sings   
with a fearful trill   
of things unknown   
but longed for still   
and his tune is heard   
on the distant hill   
for the caged bird   
sings of freedom.

The free bird thinks of another breeze
and the trade winds soft through the sighing trees
and the fat worms waiting on a dawn bright lawn
and he names the sky his own

But a caged bird stands on the grave of dreams   
his shadow shouts on a nightmare scream   
his wings are clipped and his feet are tied   
so he opens his throat to sing.

The caged bird sings   
with a fearful trill   
of things unknown   
but longed for still   
and his tune is heard   
on the distant hill   
for the caged bird   
sings of freedom.
He is a bad boy who listens to French music
and draws glamourous buildings.
Words of romance
is leaking from his mouth. 
He is the celebrity I want
to wake up in bed somewhere in Paris.
In a petite and pretty apartment, 
sleeping in lingerie with perfume 
on our sun-kissed skin. 
I let him draw me naked
on the balcony while 
smoking luxurious cigarettes.
And he moans the words; Je t’aime ma chérie..
— Mama, I Am Running Away To Paris by Royla Asghar
Songs of a Girl by Mary Carolyn Davies
 1918
Have you ever made a mistake?
A real one? Burned or held a body
you didn’t want because you could feel
its ruin, and it wasn’t you.
—  Stevie Edwards, from “Sorry I’m Not Sorry”

 Percy Bysshe Shelley (1792-1822)      

Ozymandias.

    I met a Traveler from an antique land, 
    Who said, "Two vast and trunkless legs of stone 
    Stand in the desart. Near them, on the sand, 
    Half sunk, a shattered visage lies, whose frown, 
    And wrinkled lip, and sneer of cold command, 
    Tell that its sculptor well those passions read, 
    Which yet survive, stamped on these lifeless things, 
    The hand that mocked them and the heart that fed: 
    And on the pedestal these words appear: 
    "My name is OZYMANDIAS, King of Kings." 
    Look on my works ye Mighty, and despair! 
    No thing beside remains. Round the decay 
    Of that Colossal Wreck, boundless and bare, 
    The lone and level sands stretch far away.

Event in Ecuador

2015 Interpretatio poetry, literary genre that allows unravel the essence of human feelings, together with another genre that allows them visible through stories that describe, narrate, expose or argue reasons to understand our social, historical and individual reality, is presented here to invite young students who wish to enter the world of literary creation. Interpretatio Story Competition 2015, organized by the School of Social Sciences and Humanities USFQ, aims to stimulate reading and encourage important Ecuadorian poets writing stories from the interpretation of lyrical compositions. The order in writing, originality in linking with the poem chosen, the shape of the narrative, the verbal elaboration as much as the expressiveness and the communicative power of the texts will be assessed. The text will be unprecedented and, within the guidelines outlined above, the argument will be free.
Click here to see more information: https://www.usfq.edu.ec/eventos/interpretatio/Paginas/default.aspx

Maya Angelou- Still I Rise


You may write me down in history
With your bitter, twisted lies,
You may trod me in the very dirt
But still, like dust, I’ll rise...
...and sometimes the one your heart wants is the one your mind refuses